![]() ![]() A plain Jane wearing wool skirt might need. These shoes are not realistic and pragmatic. The exclusivity and elegance to move a notch higher with sexy diamante shoes. Main Dengan Bapak Mertua Cerita Seks Dewasa Panas - Alternative. Kisah nyata ini menarik untuk disimak, selamat menikmati. Kisah panas ini menceritakan tentang istri binal yang doyan menggoda mertua nya yang kaya raya. Thanks Lesley! See answers by other artists in the Five Sound Questions section, and be sure to check her out on one of her tour dates.Istri-Istri Binal Menggoda Ayah Mertua « Cerita Dewasa I feel that when we take time to truly listen - to actively engage in listening to another person, to music, to sounds in nature and in cities, to all the many sounds in world around us - we give ourselves time to be present in our lives. How could we make sound improve our lives? Oddly, when I think of places that I favor for sound, they are all very quiet places… where sound is almost, but not entirely, absent.Ĥ. ![]() Which place in the world do you favor for its sound? When I actively listen, I am usually taking a long walk outside or sitting with my eyes shut.ģ. How do you listen to the world around you? It was not a large space, but when I sang, my voice would soar and fill the air like I was in a cathedral.Ģ. There was a hallway in my childhood home that had a natural reverb, and I used to sing in that space when no one was home. This is a sound I would hear with my ear was pressed to her chest as she sang or read to me. What sound from your childhood made the most impression on you?įirst, is the sound of my mother’s voice resonating within her body. Furthermore they’ll be playing France, Switzerland and Germany as well in the coming days. One of them being the Fluister concert series in The Hague, the Netherlands on April 3rd. I found out about Lesley as she is playing some gigs in Europe, alongside sound artist Tristan Perich (whose Microtonal Wall we’ve featured before). As the textures react and build on each other, the space reverberates with subtle sonic imperfections, creating a physical sense to the sound in the space. ![]() Periodically Flanigan enters the room and adds new elements to the system. In her two-day “Residue” performance in the Guggenheim (below), she performs on minimal electronic instruments built from speakers and microphones. Performing these instruments alongside traditional instrumentation that often includes her own voice, she creates a kind of physical electronic music. Inspired by the physicality of sound, she builds her own instruments. Lesley Flanigan is an experimental electronic musician living in New York City. ![]()
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